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While promoting the first Resident Evil film in late February 2002, Milla Jovovich and director Paul W. S. Anderson discussed a potential sequel. Anderson said he began writing the screenplay for the second film after completing the first, and had plans for Alice to meet up with Jill Valentine. Jovovich confirmed her character would return in the sequel if the first film was successful.[12] In early March, Eric Mabius, who played Matt Addison in the first film, stated a sequel was confirmed, would be set in Raccoon City, and would feature the Nemesis character.[13] The sequel was officially greenlit by Sony Pictures in mid-2002 but Anderson chose not to direct due to his commitments to Alien vs. Predator (2004). He stayed on as the film's screenwriter and as one of its producers.[14] Anderson used the game Resident Evil 3: Nemesis as the basis of the story and wrote in elements from his favorite films, such as the perimeter wall in Escape from New York and the deserted city in The Omega Man.[14] Alexander Witt was hired to direct the film, marking his feature film directorial debut. The script had already been completed when Witt was hired. He made some suggestions to Anderson and fellow producer Jeremy Bolt, which resulted in some minor script changes.[15]
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The soundtrack for Apocalypse was released on August 31, 2004, and contained alternative metal songs both featured in the film and "inspired" by it. Johnny Loftus of AllMusic gave the soundtrack three stars out of five, saying it was an "unscrupulous moneymaker" that predictably catered to the film's target audience of teenage boys, adding the "aggression, mania, and generally apocalyptic tone of this material fits well with a movie based on a video game about blowing away crazy zombies".[29]
Dave Kehr of The New York Times gave the film a positive review, praising Anderson's screenplay and describing Witt's direction as "fast, funny, smart and highly satisfying in terms of visceral impact".[23] M. E. Russell of The Oregonian said, "The bad news? The movie is monumentally stupid. The good news? It's a fun kind of stupid".[49] The A.V. Club's Nathan Rabin said that it progressed too slowly to be considered a good film, "but when Jovovich finally starts kicking zombified ass, it becomes good enough".[50] Ben Kenigsberg of The Village Voice said the film is "not without its moments of elemental dread" though he complained there was too much action and padding and not enough irony.[51] 2ff7e9595c
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